Showing posts with label meditation. Show all posts
Showing posts with label meditation. Show all posts

Thursday, March 18, 2021


From‌ ‌Bollywood‌ ‌to‌ ‌Hollywood:‌ ‌Beth Hilton's‌ ‌Q&A‌ ‌with‌ ‌Producer, Composer‌ ‌&‌ ‌Engineer ‌Samir‌ ‌Bodhi ‌ ‌ ‌

 ‌(Click to watch the interview on video

Beth: Hi Samir, I know that your new album has been getting a lot of great reviews and many compliments. The subhead is “A musical journey into Awakening” which is really beautiful and the CD is a six panel digipak, which is very nice. It's a very modern design for this kind of music, and I think that is part of what's been resonating with people. 

It has a traditional sound, as well as World Fusion, and incredible musicians, so we’ll get into all of that.  But it also has an ambient warmth as well.  So, it's a very unique mix that you've come up with for your debut as a composer/producer.

Samir:  Thank you, yes.

 

Beth: Samir Bodhi is your artistic name, you’ve been a resident of Southern California for several decades, and you’re a tenured professor as well. Wow! Your music life includes sharing your talents as a guitarist, composer, producer and recording engineer on a multitude of projects, including and involving legendary Indian musicians such as your wife Madhumita Chatterjee - a renowned Bollywood singer, and of course for your new project Stairway to Nirvana.  So that is quite a vast background.  You go from being a tenured professor to this very creative composer and engineer.

Samir:  Yes,  this has always been a parallel to me. After getting my Ph.D, I became an academic; I love to teach and do my research, and I work with a lot of graduate and doctoral students.  At the same time, I'm married to my wife who is a full-time musician, singer,  performer, teacher, and we do gigs together, we do concerts together.  So I have always been performing on stage, and producing her music. The music has been going along parallel with all my research and my teaching activities.

Beth: So is it a comfortable balance? Does it balance your left brain/right brain in a creative way? And does it bring you relaxation at the same time?

Samir:  Yes, It is a perfect balance for me. And again, my specialization is in computer science. So, ever since music went digital and the two worlds came together, it embraced software, recording, everything is what I'm very comfortable with. The digital music world has been a great change for me. 

Beth: Yes that’s the perfect storm. Everything came together in recent decades?

Samir: Yes, it did.

Beth: You've been in this world for a long time. Did you see it coming and when?  Was it pre-2000?

Samir: The first composition that I had shared on the internet was in 1997.  There used to be a site or a company called mp3.com.   I believe you are familiar? And in the world music category was one of our songs sung by my wife. And on that song was a very famous musician who played the sarod called Aashish Khan.  That song was actually number one in the World Music  category for like 30 days. So that was my first realization that, “ok, things are going digital.”  Of course, I anticipated it, but I didn't expect that the world of CDs would disappear to the extent that it has.  

Beth: Right. I don’t think the mp3 folks did either; one of my friends was an engineer on the team who developed Mp3 tech, and this was not the vision they had for it. They really just wanted a more convenient file sharing system. So, now the digital world is here and you are able to embrace it because of your gifts and knowledge of Computer Sciences, and YET you're also out there playing live, which is so great!

Samir Bodhi in the studio.

Samir:  I love to play live, which hasn't happened for the last nine months as we are all in lockdown mode. I am seeing the growth of digital concerts which is good, but I don't see how it can replace the ambience and feeling of a live concert. 

Beth: Yes, and especially with world percussion, you really feel it. When you're talking about healing music and vibration you can never quite replace that power; there’s no substitute for a live performance.

Samir: Fortunately, all the tracks on Stairway to Nirvana were recorded live in India right before the pandemic happened.  My wife and I were both in India, in both Calcutta and Mumbai, and the musicians came to the studio. So, everything you will hear on that are live instruments. We were very lucky timing wise; I thoroughly anticipated that we would go into lockdown. If we had not finished recording right then, we would have figured out how to use samples and other things. But there are no samples on this, just live recorded tracks. 

Beth:  I guess that's why the word “warm” keeps coming to me to describe the vibe; it’s a very warm sounding album, and yet a little bit edgy. It has a little bit of sexiness for lack of a better word, you know?  It's kind of a little loungy, too sometimes yet very modern.

Samir:  Yes, there are five tracks; some enjoy the lounge music type, some of the tracks are very new age, and some feel quite meditative, especially the ‘Om’ track. We have a variety of different things on this album, I’m happy people are enjoying it right now.

Beth: Is this a message album?

Samir: I think one of the reasons why I did this album, was that in the last several years -- being an immigrant in the US -- I was very disturbed with this rise of anti-immigration and racism. The Black Lives Matter movement is so important, and I kind of felt that this is America, right? America stands for the best, however, we were drifting away and there was no peace or unity.  In the back of my mind I always felt like I wanted to produce and create an album which, when somebody listens to it, they feel inner peace. It can calm people down, it can help them reflect on the goodness of human beings.  So that was my backstory.  

Then when I reached out to some of my fellow musicians in India, actually in a zoom call, this  was in 2019.  I was telling them about all of this.  They were not very aware of the New Age genres. They are very much mainstream commercial musicians in Bollywood, so I was trying to educate them and inform them that this is the type of music that we would start to work on, and I shared some of the famous New Age artists, like Kitaro.  I was kind of bringing them up to date to where the New Age World is right now. And then I said, “that's what they have done, now we have to do our own.”

Friends in the studio, laying down tracks pre-pandemic.

Beth: Very Interesting! And you definitely did your own thing. I like that there are longer tracks on here, too...some that are seven minutes plus.  We have Tranquility, Om, Harmony, Peace, and Nirvana.  So it sounds like -- and I think I've heard you refer to this in other interviews -- this album is about moving through stages of life with the music.  Would you like to expand on that a little bit for us?

Samir:  At the very beginning I had already come up with the names of the tracks. And In my mind I want ‘Tranquility’ to give tranquility and calmness to people.  We need that calmness. And then I went on to ‘Om’ which is a very sacred symbol, a sacred sound which is a chant, and that's when you get into this meditative feeling.  The third track was ‘Harmony’ because I really felt the world needs to come together for harmony. There is so much divisiveness that I was just so bothered by. The fourth track is ‘Peace’ which is a call for unity because we are one humankind under God.  And the last track is ‘Nirvana’ which is basically the enlightenment, confirming that you go through life, through the stages of life and you finally see the light at the end of the tunnel. And if you look at the album cover, that was the full idea; the stairway through light and the om symbol at the end. That is the idea behind the artwork, done by a friend of mine. 

Beth: I love that.  I would like to point everybody to the fact that the full album is releasing January 15th, 2021. Are you happy with the reviews to date?  They’re quite good!  JW Vibe wrote, “The title and vibe of each track on ‘Stairway to Nirvana’ each reflects one aspect of what Samir and his Ensemble believe the world needs to work through in these troubled times and achieve an enduring sense of nirvana in the here and now.”  I know that other writers like Dick Metcalf, Contemporary Fusion Reviews have said things like “this is one of the best albums for this year, and for this time. 

Samir: I’m very grateful for the terrific reception by music writers, yes. I didn’t know what to expect.

Beth: I wanted to ask you a little bit about the phenomenal musicians who are on this album with you, before we say goodbye today. Can you highlight a few performers, and some of their special contributions? 

Samir: Absolutely. First of all, these are all very, very, very close friends. I have either composed and recorded with them in the past, or I have even performed live onstage concerts with them.  So to begin with I’ll mention Sanjoy Das, his nickname Babi, we call him Babi.  He is the arranger and he's just a phenomenal musician in Bollywood. He works with pretty much every music director and composer in Bollywood today. He is the busiest of the busiest musicians, but is like a younger brother and working with Sanjoy has been a delight. I share my concept and vision, and he's up and running, creating different kinds of sounds. So Sanjoy is a guitarist, he played guitar and bass on these tracks.  Rajeeb Chakraborty and I go way back, twenty years. He is a sarod player, he's also an educationist, and a brilliant composer himself.  He and I, and my wife Madhumita Chatterjee did a live concert tour in 2019; we had 20 different concerts in California. I’ve known him for a long time. Suvodeep Mukherjee sang the ‘Om’ song and composed the song with me! He is a fabulous classically-trained singer; he and my wife released an album in 2015, and I have known Suvodeep since then. When he was in the US we also did a live concert with him. 

Samir Bodhi, singer Madhumita Chatterjee and lyricist Rajiv Dutta

Then you have a sarangi player - a very unique Indian instrument - played by Pankaj Mishra. Pankaj and I have perhaps performed together in at least a dozen concerts all over the US. The lyricist is Rajiv Dutta. He wrote lyrics to all the songs that I composed for a Bollywood album for my wife called ”Tum Bin,” with the legend Kumar Sanu, who was the number one Bollywood singer for like 15 years in a row! I have known Rajiv Dutta for a long time, we are quite close.  Subhajyoti Guha, the tabla player, is also a good close friend of mine. He is a very, very brilliant tabla player who is really making waves in India right now. And of course, you know my wife, Madhumita, is the special guest artist. 

Beth: Don’t forget her! 

Samir: Of course, no! She did a brilliant rendition of the ‘Peace” song. Ah, I should also mention that this was the first time that I had an opportunity to work with Biswadeep Chatterjee, who's a mixing engineer in Bollywood. He is probably the biggest name in Bollywood.  He has won 8 International awards, and four times the Oscar's equivalent in India. So he's an absolute gem, and a fantastic sound designer.  

Beth: Wow, you are truly blessed, with all these absolutely amazing people around you.

Samir:  Absolutely. And the mastering was done by John Polito here in LA, so that was another honor,  to work with John.

Beth:  Yes, yes. His studio is just blocks away from where I am right now!

Samir: These are all great, great musicians in their own rights, but it was an absolute pleasure to collaborate with them and work with them on these tracks.

Beth: Well, they delivered. It’s  a very rich, rich album in both sound and in spirit. I'm going to enjoy some downtime just listening to it. I think it's a very good album for immersive meditation.  I don't know if that was your intention, or if it was just for relaxing and enjoying.

Samir: It’s for both, but I definitely would say relaxation and meditation is what I had in mind. I wanted people to feel tranquility and calmness.  Let people relax, and at the same time, they can be very reflective.  Especially with covid and all the things that have happened.  I hope that it gives people a good calming effect.  

Beth: Yes, we have so much time at home, and we need to keep our homes serene and calm  amidst all trials and tribulations of homeschooling and homework. Seeking out the right music is more important than ever. Thank you, too, for your positive intention to bring peace and to get America back on track through your musical contribution. 

Samir:  Thank you. It's a very small contribution on my end. 

Beth: If everyone could do it...we’d be in great shape.  A little something right?  This final question goes directly to that , and I suspect I know the answer, but how would you say music has changed your path?  Can you imagine if you had just stuck to the Computer Sciences and not incorporated your musical interests into your life? 

Samir:  You know that that's a great question and I'll tell you that, in my academic research work and computer science, I actually have written a book on something called the signs of design.  And design, in my case, it is technology design that I do to solve problems of society. There is a certain level of thinking that I have developed over the years on doing design science research.  And, now I can tell you that the same thinking has manifested into my music. Essentially, in my technology world I am dealing with health care problems, or energy problems, and I'm designing information and communication technology solutions to solve those problems.  Now when I come to my music, I am seeing problems around me and I'm still doing the same thinking, such as “How do I design a track? How do I build something that can solve that particular problem?” But there’s a lot of overlap, and as you said, it is the left brain/right brain kind  of coming together. So without music, I don't think I would flourish as an academic scientist, and without my scientific thinking, I don't think I would do full justice to the music. 

Beth: That’s a great point.  I know that you also have some videos that you've already created that are very interesting so can you tell us your YouTube channel please? 

Samir:  Yes, on YouTube, I am under my full legal name Samir Chatterjee.  

Beth: Well,  thank you so much, Samir, I really appreciate this time with you today. Congratulations to you and the entire team on a gorgeous contribution to new age music.

Samir : Absolutely. It has been a pleasure talking to you Beth. Thank you so much.

Beth: You’re most welcome.

Contact Samir: https://www.samirbodhi.com/

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Thursday, December 13, 2018

Music Review



Award-winning world flutist and composer Ann Licater has returned with a collection of 15 tracks that take the listener on a relaxing journey into a realm of tranquility. Quiet Spaces: Flute Meditations for Mindfulness and Relaxation, is a work of soulful simplicity. The stripped down nature of her music allows the listener to maintain their focus on the instrument at hand and truly appreciate the impact that a single sound can make. Ann’s Native American, Native American-style, folk and alto flutes make for the perfect soundtrack to any meditation, mindfulness practice or relaxation ritual.

After several years of studying classical flute at the MacPhail Center for Music in Minneapolis, MN, Ann Licater took up the Native American flute while studying with R. Carlos Nakai. It was then that Licater really came into her own style of playing and composing. In this 5th release, Ann returns to the solo-inspired roots of her 2007 release, Following the Call. Overall, the songs on this album are a complete work rather than serving as individual units. Ann played 11 different flutes, including Native American, Native American-style and silver Alto....impressive to say the least! The use of soft reverb allows the listener to drift away with the airiness of the instrument.  

The album consists of mostly solo flutes, but does incorporate some use of flute duets and the occasional atmospheric sound. Additionally, GRAMMY-Nominee Peter Phippen co-produces and performs electric bass on “Aspen Awakening,” “Celestial Traveler,” and “Tranquil Dreams.” “Woven Hearts” incorporates a beautiful flute duet that lingers in the air in a placid and peaceful manner. “Dreaming at Daybreak” playfully uses the callback technique to give additional depth to the space in which this track lives.
Ann Licater; photo by Steve Voldseth.
A woman who can do it all, Ann Licater pours her heart and dedication into this work of art. Her ability to produce, record, and compose her vision from beginning to end speaks volumes about her undying love, not only for the flute, but also for the craft of making music. 

Quiet Spaces: Flute Meditations for Mindfulness and Relaxation is now available to stream, download and purchase. For previews, workshops and performance information, visit Ann’s website at www.AnnLicater.com.       

                                                                                      - Samantha Garcia

Tuesday, May 1, 2018

MUSIC REVIEW: They Were Here

           
Producer-percussionist Byron Metcalf and singer-songwriter-author Jennifer Grais have managed to blend their two passions for music and shamanic healing into one hauntingly beautiful collaborative concept album. The artists' shamanic influences are quite apparent in the vibe of this latest work, They Were Here, exploring the plight of America’s wild horses. The energy of the music is both reverent and mournful as they explore the ongoing mistreatment and loss of these magnificent creatures, one of our most unique national treasures.
            
Jennifer Grais: singer-songwriter and author of "Christa's Luck."

This album is less song-oriented than others, rather, it functions more like one complete, flowing work of art. Native American influences run thick in the veins of They Were Here to create the perfect setting for such a tale. Metcalf provides the majority of the instrumentation including frame drums, rattles, udu, ceremonial drums and synthesizer.  His characteristic style of tribal-trance drumming is the energy that fuels this piece, providing the driving force that echoes the sounds of horse hooves galloping with intense gusto. Ron Oates lends a helping hand on keyboard, synthesizers and orchestral arrangements as well. Jennifer Grais’ heart-wrenchingly beautiful vocals soar like an eagle to perfectly accompany the earthiness of the instrumentals.

Byron Metcalf, award-winning musician & shamanic practitioner.
The title track sets the mood for the album as it opens with the sounds of horses galloping as the earth stirs underneath their hooves. Slowly, the ambient music sets in like a looming mist that rises incrementally. The sound of Dashmesh Khalsa on didgeridoo wavers ominously in the background as Grais’ mournful vocalizations take the forefront. Henceforth, the songs get incrementally more intense as the story lingers on until reaching a crescendo in the fourteen-minute “Run.” Fiercely carried by driving beats and Grais’ intense, almost desperate chants, the track sets the scene of wild horses fleeing their native homes. Wrapping up the album, “Song for Solo” feels like an ending to a melancholic story, one that is very personal to Grais. It emanates a sense of mourning for what has been lost, yet incorporates sounds of nature, providing a reminder that life carries on ever still.

With They Were Here, Byron Metcalf manages to create a concept piece using ambient music. Utilizing his creative ways with music, he manages to create a soundscape that brings awareness to mother earth.  This album is available on Amazon and iTunes. For more information, and to experience the music, visit www.byronmetcalf.com.

-Samantha Garcia, BEING


Monday, January 30, 2017

Review: Inner Rhythm Meditations


Byron Metcalf is a man that pours his soul into every avenue of his work. The passion that he holds for healing is ever-present in his latest release entitled Inner Rhythm Meditations: Music for Expansive Awareness & Inspired Movement, which is comprised of six soothing tracks that evoke a sense of peace and serenity. Explore his history, and one quickly learns that Metcalf is a man who goes above and beyond what is expected of him in order to breathe life into both his artistic and scientific achievements.

The beauty of the nature of the songs in Inner Rhythm Meditations is that they can be used as the background for personal meditation or listened to as simply blissfully serene music.  The opening “Garden of the Peaceful Warrior” woos the senses with the presence of resonating bansuri flute and very soft percussion running throughout the background.  The stage is set for the listener to delve deep into their subconscious and commence the process of transformation. A bit of trance influence can be noted in “As Clouds Dance” along with the incorporation of more drum work performed by Byron. The intensity and the frequency of Byron’s beats progress into “A Perfect Place” which serves as the climax of the album.  At this point, the listener is fully invested in the journey. Sailing into “The Awakened Heart”, this track evokes a sense of floating and conscious presence. It is the sonic equivalent of existing in the moment and simply being. Capping off the album, “The Presence of Longing” brings the listener back into an actively emotional state with the languid sounds of distant flute and gentle, tinkeling sounds in the background.

Byron Metcalf
As a man whose musical career spans over 5 decades, Byron Metcalf has the adequate tools to create a breadth of music that coincides with his HoloShamanic Integrations.  His enthusiasm for examining the healing potential of non-ordinary states of consciousness has earned him high acclaim and success in facilitating personal growth and healing inner turmoil.  For over 25 years he has been using sound, breath work, and music to buffer his shamanic practices and benefit the greater good in the most organic way possible and proving that the most important tool in healing is the mind.  

Metcalf shares his HoloShamanic Integrations in select workshops throughout the year. He offers an intensive retreat that combines shamanic practice, transpersonal psychology, ancient wisdom teachings, and various contemporary methods of spiritual growth and personal transformation.  The next retreat, scheduled for March 15-19th in Frost, West Virginia, will also incorporate the work of Karen Malik, MA, a uniquely gifted workshop/retreat facilitator, therapist and healer. Tickets are available from The Inn at Mountain Quest.

The Inn at Mountain Quest

To explore Inner Rhythm Meditations and Byron Metcalf's trance dance, meditation and drum music visit www.byronmetcalf.com or Bandcamp.


- Samantha Garcia for BEING

Friday, October 18, 2013

REVIEW


Invitation from Within 
Once again celebrating the mystical healing powers of the flute, Ann Licater—who masterfully performs on Native American, Native American-style, Silver and Alto Flutes and Peruvian Huaca—creates (or shall we say, channels from a place of transcendence) a melodically and rhythmically inventive, gloriously dreamy and soul soothing third solo album. True to its title, it draws our hearts as an Invitation from Within—an opportunity to explore our inner selves and come to a state of grace and deeper self-awareness on the wings of a lush and often magical musical journey. 
                 
         Ann Licater
                  Photo by DArcy Allison Teasley
Many of these 12 tracks include beautiful and haunting harmonies provided by everything from Jeff Oster’s trumpet (the richly hypnotic “Cradle of Light”) to Ivar Lunde’s grand piano (which inhabits five of the songs), and the excellent percussionists Kathleen Farrell (hand held crystal bowls), David DiLullo (Peruvian Cajon) and Jason Introwitz (conga, steel tongue drum) add well placed bursts of primal magic. 
Yet by design, Licater’s soul centerpiece, the true focus, is on the shifts in consciousness that only her variety of lead flute lines can create. Invitation from Within brings the listener to a place he or she will long want to stay. It’s a musical triumph, but more importantly, a triumph for the soul.
                        – Jonathan Widran, All Music Guide

Thursday, January 17, 2013

FOR OUR CHILDREN: Digital Music Compilation Benefits Sandy Hook for $1+


Cover art by Jessica Waters.

In my life, I've found that music helps me in the space when the shock of a tragedy subsides but healing still feels a long way off.  When there are just no "right" words to say, it is MUSIC that often makes the silence more bearable.  

In the wake of Sandy Hook, I'm not ready for the anger-filled debates underway, I'm still in a place of mourning and introspection, remaining open to guidance and wisdom far beyond my own.  To me, it is still a time for prayers, for mourning kaddishes, for meditation, and sympathy.

However, it is inspiring to see some finding a way out of the sorrow with positive action. I found a wonderful compilation on Bandcamp today, and chose to contribute while also filling my world with healing sounds and thoughts. While surely there will be mainstream music tribute concerts for Sandy Hook in the near future, the quiet pensiveness of this album strikes me as striking the right note for now. 
For Our Children is a digital-only compilation from an organization called Sound for Good: Good Music for a Good Cause. Apparently, they create compilations for fundraising, attracting people with a very low minimum of $1, and then donating all the proceeds to the cause. In this case, they've teamed up with 30 artists from various genres and HEALING NEWTOWN (healingnewtown.org) a division of the Newtown Cultural Arts Commission. 

The collective message from the artists reads "Our message in the album is to shine your light. We have come together as artists to support the healing process of those impacted by the Sandy Hook Elementary tragedy of December 14th, 2012. This album serves as sound healing comfort for children and adults throughout the world."

This is a soothing compilation, punctuated by spoken word and chant.  Ironically, I feel that those who would most benefit from this sound healing are those who've pushed aside the healing process and jumped into the angry fray over their own issues.  I do hope this music will find its way to them, and they'll save some precious time for the mourning and community building that is so necessary. 

Please read more and explore the generous artists at: Bandcamp's designated site for the album.

Thursday, August 23, 2012

MUSIC REVIEW:





Sacred Dreams: Music For Relaxation and Wellbeing 

From Norway with love: Tron Syversen’s  latest U.S. release is quiet and deep as the blue fjords of his native coastline.

Norwegian producer and recording artist Tron Syversen shares a part of his soul with his latest offering, Sacred Dreams, ten original, gently-lulling pieces that are characterized by serene melodies and scintillating instrumentation with a slight classical ambiance. Not only playing the piano and keyboards, Syverson’s production, songwriting, arranging, and mixing talents are evident throughout.  The album is well-balanced, which is critical to Syversen’s intent to go beyond mere entertainment, and to create music that truly relaxes and heals others as they go about their busy lives.

Essential to this album is the sensually-sweet voice of co-producer Elin Lokken that borders on magical, angelic, and otherworldly; the vocal delivery is primarily wordless hums with varying timbres and tones. Electric and acoustic violins are skillfully provided by Sunniva Bergsane, Ase Haga, and Lise Sorensen. Plaintive acoustic guitars by Glenn Kristiansen, Rolf Kristiansen, and Jorn Takla provide a calming, but engaging result throughout. In addition, Silje Katrine Gotaas plays the cello, and bassist Per Elias Drablos fills in the melodies with pinpoint precision. Additional embellishments on English horn and flute are provided by Henrik Eurenius and Randi Krogvold Lundquist, respectively.  Upon hearing the depth of musicianship present in Sacred Dreams, it comes as no surprise that several of these accomplished artists also play for popular new age group, Secret Garden.

Tron Syversen, producer, recording
artist and founder of Tron Music, has
released nine albums to date.
The gentle “Lullaby For You” opens the album with a fluid flute and sparkling acoustic guitar strumming. Lokken’s distinctive and universal hums make the song particularly relaxing, which is the primary intention overall. The violins fill in the melody and the acoustic guitar provides a warm presence against the piano backdrop. “Dreamland” begins with spritely piano melodies, droning horns and strings, and Elin’s characteristic humming style, a smooth transition from  “Lullaby For You.” The pace picks up with “Cradle Song” bringing livelier acoustic guitar melodies, and the vocals flowing effortlessly with the guitar and flute. The symphonic “In A Silent Place” contains scintillating strings; Lokken hums with a calming and emotive display that is both relaxing and meditative. Here, Syversen utilizes a classical ambiance with a slow tempo and undulating progression that harkens the nuances of Enya. The popular “Moonlight Reflections” (for which there is an accompanying video) opens with acoustic guitar and contemplative piano incorporating the wistful sounds of violin throughout; the effect is akin to medieval European folk music with a touch of classicism and new age.  Acoustic guitar takes center stage in “A Quiet Evening” but the violin, humming, and undulating horns complete the relaxing melody. “At The End Of The Day” takes us home to “Lullaby For You” and “Dreamland” with piano, vocals, flute renditions, and soft guitar strums.  The mix of violin, guitar, and humming on “Twilight Lullaby” is pure, simple new age gold.  The album comes to a close with “All Through The Night” and “Tender Moments” containing equal elements of guitar, piano, strings, and horn with Lokken’s angelic vocal delivery. Notably, the acoustic guitar makes a strong appearance on “Tender Moments,” along with hums that are slightly lower in range than the flute and piano.  Moreover, the acoustic guitar strums are almost harp-like in tonal quality, which accentuates the angelic vocal characteristics to a greater extent.  

With Sacred Dreams, Syversen successfully produces a stunning album of lullaby brilliance that awakens the child-like spirit in all of us. Each piece presents melodies that are sweet and highly tranquil while Lokken’s sporadic humming and wordless vocals provide just the right amount of vocal ornamentation to differentiate each piece.  This album is incredibly subtle and perfectly-suited to calm the mind in preparation for creative visioning work, deep relaxation, or blissfully restorative sleep.  

Writer Kira Jaines states it perfectly when, in a Live Strong article called "Music to Help You Fall Asleep", she advises "Try Classical or New Age music, and keep in mind that lullabies are not just for babies." 

"Highly recommended" for meditation, sleep therapy, relaxation and children’s bedtimes. 


Artist: Tron Syversen
Album: Sacred Dreams: Music For Relaxation and Wellbeing
Label: Global Journey/TK Music Production
Playing time: 57:54.