Thursday, December 13, 2018

Music Review

Award-winning world flutist and composer Ann Licater has returned with a collection of 15 tracks that take the listener on a relaxing journey into a realm of tranquility. Quiet Spaces: Flute Meditations for Mindfulness and Relaxation, is a work of soulful simplicity. The stripped down nature of her music allows the listener to maintain their focus on the instrument at hand and truly appreciate the impact that a single sound can make. Ann’s Native American, Native American-style, folk and alto flutes make for the perfect soundtrack to any meditation, mindfulness practice or relaxation ritual.

After several years of studying classical flute at the MacPhail Center for Music in Minneapolis, MN, Ann Licater took up the Native American flute while studying with R. Carlos Nakai. It was then that Licater really came into her own style of playing and composing. In this 5th release, Ann returns to the solo-inspired roots of her 2007 release, Following the Call. Overall, the songs on this album are a complete work rather than serving as individual units. Ann played 11 different flutes, including Native American, Native American-style and silver Alto....impressive to say the least! The use of soft reverb allows the listener to drift away with the airiness of the instrument.  

The album consists of mostly solo flutes, but does incorporate some use of flute duets and the occasional atmospheric sound. Additionally, GRAMMY-Nominee Peter Phippen co-produces and performs electric bass on “Aspen Awakening,” “Celestial Traveler,” and “Tranquil Dreams.” “Woven Hearts” incorporates a beautiful flute duet that lingers in the air in a placid and peaceful manner. “Dreaming at Daybreak” playfully uses the callback technique to give additional depth to the space in which this track lives.
Ann Licater; photo by Steve Voldseth.
A woman who can do it all, Ann Licater pours her heart and dedication into this work of art. Her ability to produce, record, and compose her vision from beginning to end speaks volumes about her undying love, not only for the flute, but also for the craft of making music. 

Quiet Spaces: Flute Meditations for Mindfulness and Relaxation is now available to stream, download and purchase. For previews, workshops and performance information, visit Ann’s website at       

                                                                                      - Samantha Garcia

Saturday, December 1, 2018

Music Review


The long-awaited album Protection by Rigzin came into being this November, thanks to a successful Kickstarter campaign. Protection completes an artistic Sacred Trilogy of albums that consist of ancient Tibetan "protection prayers" set to Rigzin’s unique mélange of world-inspired music. With her primary life’s purpose being her dedication to her studies of Tibetan Buddhism, Rigzin never imagined herself becoming a musical artist. She had never considered incorporating her knowledge of Buddhist chants and prayers into any sort of creative endeavor until the unique plaintive beauty of her voice was heard as she prayed for a friend's dying mother. Later, she was introduced to the creative group “El Circo” and she   Her avant-garde approach to melding her practice with her art took the West Coast underground music scene by storm and led her on a path of performances at such events as Burning Man, Lightning in a Bottle, and Symbiosis.
Rigzin lives, prays and creates in a remote mountaintop retreat.
The introductory track to this album titled “Call to Awaken” is a very intimate moment with the artist. There is minimal instrumentation save for some drumming and atmospheric sounds that carry Rigzin’s femininely soft yet fierce voice through a traditional prayer. In an unexpected twist, “Red Lotus Dakini” fuses modern day electronic world music with samples of a man chanting. Produced by the influential DJ David Starfire, it is quite upbeat but still possesses a trance-like quality. The fusion of the modern and the ancient make for a very intense and unique experience.

It is hard to categorize a commercial genre for Rigzin’s art, but it is undeniably spiritual at its roots. After the surging burst of energy that came before it, “Prophecy” shifts the mood into something more sonically mellow yet equally as intense.  Her evenly toned chants are met with droning sounds that crescendo with the use of battle drums and a rise in volume and dynamics. Something to be noted about this album is its perfect balance in the way that it ebbs and flows.  Despite the seemingly ominous title, “Wrathful Guru” is a beautifully cascading track that displays an airier, breathier side to Rigzin’s vocals. It is a light and beautiful yet still dynamic piece speckled with tambourine, electronic piano and a variety of dreamy synthesizers. The title track “Protection” gets back into some earthier, somewhat guttural chants that send the listener into a meditative headspace. Carried by darker, deeper synth, the song is accentuated by sublime shifts in beats and various atmospheric sounds.

From Union, the first of Sacred Trilogy
Deeper into the album, both “Vajrasattva” (produced by Kalya Scintilla) and “Kilaya” utilize similar structures and textures. Less concerned with typical song structure, these two tracks focus more on creating a soundscape that the listener can get lost in. They are undeniably appealing and hypnotic, an experience from beginning to end. In a similar yet far less calculated manner, “Protectors of the Land” is ten minutes of discordance, perhaps cries of the land?  “Heart of the Lotus” allows her to experiment more within the art of noise. Her fearless approach to making this album is what gives it such heart. Finishing up, “Bodhicitta” mellows out the mood once again introducing a jazzier sound and allows Rigzin’s voice to shine once more. The piece swells with gratitude and love almost as if to thank the listener for going down this journey alongside her.

Rigzin Tromge (her civilian name) is an artist through and through. She is fearless, wise, curious and gifted. With her combination of old-world knowledge and modern-day sensibilities, she is able to reach a much wider audience than she ever expected and bestow her gift unto people who love her for who she is.  Surrounded and supported by fellow artists including the visionary Android Jones, whose visual art adorns the Sacred Trilogy. Collaborating producers include Surround, Maximillian Malone, David Starfire, Kraddy, Biolumigen, Kalya Scintilla, Kmin, Chris Sia, and Random Rab.

To listen and learn more about Rigzin, go to where all links are available, including a connection to Bandcamp where she offers cool Tibetan merch and the full Sacred Trilogy of albums Union, Transition, and Protection, which are also streamable everywhere.   

- Samantha Garcia, BEING
Each of Rigzin's CDs has a prayer wheel spinning out positive energy as it turns.